By Chris Meigh-Andrews
Tracking the altering varieties of video artwork in terms of the revolution in digital and electronic imaging that has taken position over the past 50 years, A historical past of Video Art orients video paintings within the wider paintings old context, with specific connection with the shift from the structuralism of the overdue Nineteen Sixties and early Nineteen Seventies to the post-modernist matters of the Eighties and early Nineties. the recent version additionally explores the results of the internationalisation of artists' video within the interval prime as much as the hot millennium and its matters and preoccupations together with post-colonialism, the post-medium and the effect and impression of the internet.
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