By Michael Y. Bennett
Theatrical characters’ twin life on level and in textual content provides a different, not easy case for the analytical thinker.
Analytic Philosophy and the realm of the Play re-examines the ontological prestige of theatre and its fictional gadgets during the "possible worlds" thesis, arguing that theatre isn't a reflect of our international, yet a new version of it. Taking a clean examine theatre’s key parts, together with the hotly contested relationships among personality and actor; onstage and offstage "worlds"; and the play-text and function, Michael Y. Bennett provides a thorough new method of knowing the realm of the play.
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